
Behemoth! at NYFF: Pedro Pascal and the Distance Between Making Music and Making Peace
Tony Gilroy’s Behemoth! puts Pedro Pascal’s cellist at the intersection of film music, memory, and unfinished relationships. This character-focused commentary examines the film’s reported premise and divided festival reception, asking whether artistic sensitivity translates into emotional responsibility—and why a story about movie scores needs more than beautiful music. Includes premise and relationship spoilers.


















